When Do We Want It?

I wonder how many of those protesters yesterday had credit cards, student loans, storecards, x-boxes bought on H.P. agreements and mortgages they knew they probably couldn't really afford?

Been asking myself the following recently, and trying to work out who is more to blame in this scenario:

A crack dealer who ticks rocks he knows his addicts can't afford?
Or
A crack addict who gets rocks on tick he knows he can't afford?

I guess the upshot is, crack is gonna be available one way or another. If you're partial to a spot of crack of an evening, then no one is really going to able to stop you from getting it. BUT, it's up to the addict to manage his habit and prevent it from spiraling out of control. If you honestly want your dealer to be responsible for your addiction, I think you probably need to *just say no* instead of just saying *NOW*

COST OF *DROP* CD LP (before cost of pressing)

Apple Macintosh G5 with CUBASE 4 (second hand from an enginerr at PWL)

£950

Motu Ultralite interface (second hand from ebay)

£246

Aria Pro 2 guitar (second hand cash convertors shepherds bush)

£150

Korg emx1 (second hand ebay)

£280

Roland mc303 (ebay)

£70

Juno 106

£-DONATED

Mackie Onyx 12 channel mixer

£-DONATED

TC Powercore fx card new from turnkey

£399

duel tube mic kit (self assembly) from ebay

£110

Beyer Dynamic dt990 headphones

£90

total:

£2295

-----------------------------------------------------------------------------------------------------
or i could've bought:

Sony Bravia 42-Inch HD Capable Plasma TV Screen in Silver

£2299.99

let them eat lithium

people have sometimes remarked that our socio-economic model reacts over-time like a person suffering from manic depression, but you can't really blame an abstract model for the flaws it throws up. it's really the people working within this model. it's the users of the model, and the general accepted psychological state of these people that creates the boom/bust phenomenon.

traders and consumers are manic depressives. when it becomes acceptable to be indulgent to extremes it can only really lead to a depressive state somewhere along the line. when practically everyone in an industry is of this mentality, the industry will respond in kind. if they really want to regulate the financial industry properly in future, doses of lithium should be mandatory for every front-office worker.

we do it to ourselves we do, and that's what really hurts.

not inna darkmood no more

feel great. thanks danni. (again soon plz).

time for tea and a splee oi reckon...

Harmeneutics

01 - HEAVEN'S SAKE

this one is about taking my ex girlfriend to one of the hospitality nights at heaven in 2008. soon afterwards we split up.

02 - NO MATTER WHAT

a rave tune. nothing more. just a tune that describes me being dragged back in - unwillingly at first - to the unspeakable joys of british rave culture.

03 - PRINTER JAM

me taking the piss out of super-serious office life and the flimsy functionality it's built on.

04 - LEAN

just a wonky memory of smoking in the park during the occasionally sunny summer of 2008

05 - VIEW FROM NOWHERE

a song about falling in love on ecstasy.

06 - WHITE COLLAR GRIME

my own little backstab at the buck-passing blame culture of a financial house's front office. bullshiiit management speak, synthetic fart noises and dog-barks, a lyrical description of trader paranoia (Triarch was an unreliable information platform), the thrill of success, the terror of failure, finishing up with a sampled segment from our training video describing the dangers of over-selling/buying credit insurgence products

07 - DAMAGE

possibly about a 20th century rock star strangle-barclaysing himself to death in his girlfriend's hotel room. (i read his biography last year!)

08 - GREED

the riff is greedily stolen from the score of Eric Satie's Gymnopedie... (a Gymnopedie being a dancefloor).

09 - WIPE YOUR TEARS

a recording of a west-indian alcoholic, found singing in a Caribbean cafe in west-london, during the summer of 2008

10 - THE LIGHT'S REALLY BAD

a song for driving back from a party late at night and under the influence of emotionally influential stimuli.

11 - FROM MEMORY

a song about wanting to return to a time where the only thing i wanted to do was play in the sun with my mates.

CD bonus 12 - HIDDEN

field recordings from my daily commute in early 2008 backed with rave-influenced audio

According to the swingometer, Mistabishi is Missing at the moment as it has been 7 days or more since his last post. Mistabishi is at large. Fearing the worst, public safety is paramount. Security services have been informed to shoot on sight.
Welcome into Mistabishi’s personal space.

Here you will find the musings of Mistabishi, his opinions and thoughts from music to world markets, and we want you to interact.

Register and start commenting on all that he has to say, and keep your eyes fixed on the bishi mood swingometer to gauge his current mental state. Engage yourself in some thought-provoking conversation, or just try and wind him up, whatever you do, just be careful!

Mistabishi's debut album Drop is dropping this February on CD, DD and Vinyl doublepack, on Hospital Records.

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What's the safe word?

Blasting onto the D+B scene after being personally responsible for starting the credit crunch, Mistabishi's share price has more than tripled in the last 12months...

In late 2007 Mistabishi debuted on Hospital with the absolutely huge No Matter What, this rave piano led, modern jungle anthem quickly grabbed daytime radio one support from Jo Whiley, Annie Mac & Zane Lowe. Switching from the City to the studio, James Pullen has never looked back.

Just over a year later, with the financial world in meltdown, the Mistabishi D+B machine is anything but, as he unleashes his debut album Drop. Brave, inventive and arguably the most challenging long player ever on Hospital Records, if Tyler Durden made D+B this would be it!

Tracks such as Printer Jam, Damage, Greed and the dubstep flavoured White Collar Grime are early examples of recession induced creativity as the Mistabishi sound goes from melancholy to menacing within the blink of an eye.

Unique, paranoid, genius and deadly, spend some time with Mistabishi, you can trust him, can't you!?

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